Redouté (1759-1840) and Pancrace Bessa (1772–1846) after; engraved by Pierre-Joseph (1759-1840).
Dimensions
Height: 20.08 in. (51 cm)
Width: 13.39 in. (34 cm)
From the series:
VENTENAT, Etienne Pierre (1757-1808).
Choix de plantes, dont la plupart sont cultivées dans le jardin de Cels.
Paris: Crapelot, An XI - 1803 [1803-1808].
Redouté (1759-1840), the most celebrated student of Gerard Van Spaëndonck was, during the course of his long career, both Dessinateur du Cabinet de Marie-Antoinette and Peintre de Fleurs to Josephine Beauharnais. The latter commissioned him to make an artistic record of her garden of rare plants at Malmaison. The result, a collaboration with Ventenat, was the famous Jardin de Malmaison (1803-04). This present work, published around the same time, is further testimony to their successful collaboration. [I]n terms of sustained consistency of quality over a vast output, Redouté has no parallel in the history of flower painting (E. Hardouin-Fugier and E. Grafe, French Flower Painters of the 19th Century, 1989, p.334).
References: Nissen BBI 2047; Stafleu & Cowen, VI 16.008.
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Redouté (1759-1840) and Pancrace Bessa (1772–1846) after; engraved by Pierre-Joseph (1759-1840).
Dimensions
Height: 20.08 in. (51 cm)
Width: 13.39 in. (34 cm)
From the series:
VENTENAT, Etienne Pierre (1757-1808).
Choix de plantes, dont la plupart sont cultivées dans le jardin de Cels.
Paris: Crapelot, An XI - 1803 [1803-1808].
Redouté (1759-1840), the most celebrated student of Gerard Van Spaëndonck was, during the course of his long career, both Dessinateur du Cabinet de Marie-Antoinette and Peintre de Fleurs to Josephine Beauharnais. The latter commissioned him to make an artistic record of her garden of rare plants at Malmaison. The result, a collaboration with Ventenat, was the famous Jardin de Malmaison (1803-04). This present work, published around the same time, is further testimony to their successful collaboration. [I]n terms of sustained consistency of quality over a vast output, Redouté has no parallel in the history of flower painting (E. Hardouin-Fugier and E. Grafe, French Flower Painters of the 19th Century, 1989, p.334).
References: Nissen BBI 2047; Stafleu & Cowen, VI 16.008.
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Redouté (1759-1840) and Pancrace Bessa (1772–1846) after; engraved by Pierre-Joseph (1759-1840).
Dimensions
Height: 20.08 in. (51 cm)
Width: 13.39 in. (34 cm)
From the series:
VENTENAT, Etienne Pierre (1757-1808).
Choix de plantes, dont la plupart sont cultivées dans le jardin de Cels.
Paris: Crapelot, An XI - 1803 [1803-1808].
Redouté (1759-1840), the most celebrated student of Gerard Van Spaëndonck was, during the course of his long career, both Dessinateur du Cabinet de Marie-Antoinette and Peintre de Fleurs to Josephine Beauharnais. The latter commissioned him to make an artistic record of her garden of rare plants at Malmaison. The result, a collaboration with Ventenat, was the famous Jardin de Malmaison (1803-04). This present work, published around the same time, is further testimony to their successful collaboration. [I]n terms of sustained consistency of quality over a vast output, Redouté has no parallel in the history of flower painting (E. Hardouin-Fugier and E. Grafe, French Flower Painters of the 19th Century, 1989, p.334).
References: Nissen BBI 2047; Stafleu & Cowen, VI 16.008.
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1803 Cissus antarticus ["vigne kangourou"], à prix réduit Australie, daprès Bessa & Redouté
Product Name: 1803 Cissus antarticus ["vigne kangourou"], à prix réduit Australie, daprès Bessa & Redouté Commentaires du vendeur：“51 x 34 cm Botanical Masterpiece”Theme：FlowersHandmade：YesType：PrintSubject：Redoute, BotanyProduction Technique：Copper EngravingYear à prix réduit of Production：1803Original/Licensed Reprint：OriginalCertificate of Authenticity (COA)：YesMaterial：PaperFeatures：1st Edition, Hand TintedStyle：Antique OriginalTime Period Produced：1750-1799.
1803 Cissus antarticus ["vigne kangourou"], à prix réduit Australie, daprès Bessa & Redouté
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